FILM REVIEWS, COLLECTION UPDATES, COMMENTS ON CINEMATIC CULTURE

Monday, September 26, 2022

THE SKULL (1965)

Amicus, one of Hammer Films' chief rivals in the production of horror movies in the 1960's, combined the considerable talents of director Freddie Francis with that dynamic acting duo, Peter Cushing and Christopher Lee, to create THE SKULL. The result was a work of art that can be called a prime example of Gothic horror. 

The screenplay, by Milton Subotsky, is based on Robert Bloch's short story The Skull of the Marquis de Sade. The era is the 19th century. Cushing plays writer Christopher Maitland, whose main interest is the occult. He has a large collection of occult artworks. One of his sources for antiques is Marco (Patrick Wymark), a less than honest dealer. Marco brings him the skull of the notorious Marquis de Sade. Maitland is strongly drawn to the strange object. He learns that his friend and fellow collector Sir Matthew Phillips (Christopher Lee) once owned the skull, but it was stolen from him. Phillips warns Maitland to get rid of the thing, as it is possessed by demonic powers. Maitland comes under the skull's power, leading him to his destruction.

There is so much to praise here. THE SKULL is a compelling and frightening meditation on the nature of evil and packs quite a bit of tension and atmosphere into its relatively brief 83 minute running time. The art design, the cinematography, and the musical score all work together to provide what may be called the typical ambience of so many Gothic horror films of the era. But this film is executed in such a superior manner that it can almost be regarded as a celebration of, a study of, the Gothic horror genre itself.

Peter Cushing and Christopher Lee

The performances are all excellent. Peter Cushing has done possibly his best work here. Much of his acting is done with no dialogue, so he has to convey the spiritual and mental degradation of his character with gestures and facial expressions, as if he were in a silent picture. Christopher Lee is as convincing and compelling as always in his supporting role. Patrick Wymark threatens to steal the picture with his nuanced portrayal of the crooked, creepy antique dealer who brings the accursed skull into Maitland's life. Also in the cast are Nigel Green, Patrick Magee, Michael Gough, and George Coulouris. Jill Bennett manages to stand out in her brief screen time as Maitland's wife.





8 comments:

  1. This is one of the best films Amicus ever made.

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  2. I managed to find this streaming on Kanopy, Mike. Thoroughly enjoyed it having never seen it before. Freddie Francis came up with some interesting visuals and the decor and the score I thought were first-rate. I always love spotting Patrick Magee ever since his crazy role in Clockwork Orange. I’m planning on doing some videos on horror films in October as part of my series on 1972. Three of them are Amicus’ films- Asylum, Dr. Phibes Rises Again and Tales From the Crypt, the last directed by Francis. Thanks for bringing this one to my attention. Great writeup.

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  3. Thanks for commenting, Roger. This is such an impressive film, and I think it stands out among the many other excellent, atmospheric Gothic movies produced in the same era. And I can't say enough positive things about Peter Cushing's performance. I wouldn't mind seeing Tales From the Crypt again. It's been a long time.

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  4. Very good write-up of a film that is relatively unsung because of the attention that Amicus' anthologies have gotten over the years. As you point out, Cushing was a great physical actor, and The Skull gave him plenty of opportunities to exercise that skill set. The dream sequences also keep the viewer off balance. A great pick for the Halloween season! It's nice to know that it's getting exposure from more streaming sites.

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  5. Thank you for commenting, Brian! I was late to the party with this movie, as I never saw it until just a few years ago. It certainly deserves more attention. I just picked up the newest issue of The Dark Side magazine, which has an article all about the making of the film. Looking forward to digging into it.

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  6. Producer Subotsky and director Francis had trouble expanding Robert Bloch's short story into a feature-length film, so THE SKULL keeps thing simple. I find this simplicity effective as it allows time for an intimate and stylish approach to the horror that wears down the Peter Cushing character's reason and morality.

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  7. I agree with you about the simplicity factor. The film is mostly a character study of Maitland and is beautifully played by Peter Cushing. I also think the film's brief running time is one of its strengths. Thank you for commenting!

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