This Warner Brothers trifle, directed by Michael Curtiz, has the unlikely premise that a marginally attractive, totally uncharismatic gentleman with the equally unlikely name of Toto Duryea (Frank Fay) is the reigning playboy of Paris whom all the women find completely irresistible. However, this paragon of masculine perfection finds he has met his match when he falls in love with an American girl, played by Laura La Plante, who doesn't return his interest. To make his dilemma even worse, Mr. Duryea's' doctor has warned him that if he doesn't give up chasing women, his heart is likely to give out.
There are very few laughs in this pre-code photoplay that centers on the lives of the idle, and not terribly interesting, rich. This is my one and only experience of actor Frank Fay, so it may not be fair to judge the man's capabilities on this one picture. The only thing I know about him is that he was once married to Barbara Stanwyck.
The main reason to give notice to this film is the presence of Louise Brooks in a supporting role as one of the women in Duryea's stable of admirers. The beautiful Miss Brooks had recently returned from Europe after starring in two now-classic German silent films for director G. W. Pabst: PANDORA'S BOX and DIARY OF A LOST GIRL, both in 1929. She also had completed her first sound film: PRIX DE BEAUTE (1930) for director Rene Clair in France. She was hoping to return to Hollywood to find renewed respect and opportunity. However, she was only able to find minor roles in minor films. She is luminous in her brief scenes, and it makes me sad to wonder what might have been if she had been given the important films she deserved. Also in the cast is the marvelous Joan Blondell, always brings quality and heart to any film she appears in, minor or otherwise.
And now, let's celebrate Louise Brooks!
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Brooksie takes center stage. |
Louise Brooks - God's Gift to Women: Original Trailer (1931)
You are really on a roll, Mike! Three posts in one day! I am lucky to knock out three in a month!
ReplyDeleteHave not seen this film, nor any Louise Brooks-starring movies. Yet this mainstream classic movie heathen finds it odd that in the third screenshot you provide Ms. Brooks is flanked by two women wearing the bob hairstyle she popularized in the flapper era, while she is not so coiffed. Is that photo from this movie's cast?
Hi Flash! Full disclosure: The three posts I put up today were all reworked from what I have on my Letterboxd page. I made a promise to myself at the beginning of the year that I would try to post at least two reviews per month, so this was mainly just to "add content". I've been working on a new one, but hit the usual writer's roadblock. I'm considering doing much shorter reviews similar to what Cinemascope Cat does on his blog. We'll see. I think I should experiment a little. I think all three of the photos are from the movie. Miss Brooks decided to change her trademark hairstyle a little by just brushing her bangs back. Not sure why. Maybe she wanted to expand her image to get more work. When she made her final comeback and last try at acting in the late 30s, she had longer hair and seemed like a different person. If you decide to check out Louise Brooks, I highly recommend BEGGARS OF LIFE (1928) https://thecinemascopecat.blogspot.com/
DeleteYour review has reminded me that I still have G.W Pabst's Pandora's Box (1929) in the unwatched pile. Going to have to finally check it out. Thanks!
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